One aspect seems to emerge as relevant when it comes to establishing familiarity with the facts linguistics, as well as about those that guide the situations of written production, especially the genres textual. Subsidizing then on this principle, let us take as an example first the circumstances related to orality, whose situations are recurrent in which we find ourselves describing about a fact, a place, a person or even a An object.
Going a little further, contextualizing this fact in relation to written language, relevance acquires the same tone, given the communicative circumstances in which we also make use of this modality of composition, now demarcated by the description. In this sense, supporting other modalities, such as the narration and the dissertation, there is no way to understand them and, above all, materialize them separately, given that they can all merge at the same time, depending on the communicative intentions proposed by the speaker.
Based, therefore, on such assumptions, user friend, we have the privilege of assigning you this subsection, which specifically explores aspects widely relevant to the call
description, which becomes observable through the selection and organization of elements by the observer to lead the interlocutor to the knowledge of the image of a given object described for now, remembering that this object can materialize from different types.You will also understand that this description can either be given reliably, that is, the object can be represented without any traces of subjective interventions on the part of the observer, as can also be done through clear traces of personal involvement on the part of this somebody. As you can see, there are plenty of reasons to click, see and interact with all the news that are reserved here for this very special person: you!!! Enjoy!
By Vânia Duarte
Graduated in Letters
